Laudate pueri dominium buxtehude biography

Laudate pueri dominium buxtehude biography

Note: Buxtehude preludes are multi-sectional and do not fit Bach-related terms such as "prelude and fugue" despite this use by record companies ; to make the distinction the German work "Praeludium" is conventional. Typical Buxtehude preludes begin free-style, switch to fugue, and then alternate between these forms, for a total of five to seven sections, two or three of which are fugues.

The free-style sections are usually toccata-like. Buxtehude composed chorale preludes on the following hymns:. The keyboard canzonetta in A minor, BuxWVwas found just before the publication and therefore could not be inserted in the catalogue properly. This is why it does not appear with other canzonas and canzonettas and is in the end of the laudate pueri dominium buxtehude biography of organ works.

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Vocal music [ edit ]. Cantatas 1— [ edit ]. Miscellaneous vocal music — [ edit ]. Liturgical works — [ edit ]. His surviving church music is praised for its high musical qualities rather than its progressive elements.

The chaconne is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line ground bass which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th- and 18th- centuries.

In Latin, it is known as 'Laudate pueri Dominum. In the slightly different numbering system used in the Greek Septuagint version of the bible and in the Latin Vulgate, this psalm is Psalm The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. In Judaism, it is the first of the six psalms comprising the Hallel, a prayer of praise and thanksgiving recited on Rosh Chodesh the first day of the Hebrew month and Jewish holidays.

In Catholicism, it is one of the psalms included in the vespers service. It has been set to music often, notably by Claudio Monteverdi in his Vespro della Beata Vergine of Shop Suggestions Next. Share this sheet music. Copyright problem. Log-in to comment. These can only come from a thorough familiarity with, and understanding of, both the texts themselves, and Buxtehude's approach to them.

One of the more remarkable aspect of these performances is their blend of precision and approachability: listen to the repeated cries, "Ich" in O wie selig [CD. In common with earlier releases in this series, the Waalse Kerk in Amsterdam has been used. Its acoustic is intimate and warm without for a moment obscuring the extreme clarity of Koopman's vocal or instrumental soloists.

If you've been collecting this series, it almost goes without saying that you'll want this seventeenth volume; there are only three remaining. If you have never quite got to grips with Buxtehude and want performances of his profound and affecting music that are as good as any currently available, you can rely on these recordings without hesitation.

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